It’s a quarter of a century since La Haine‘s original release, its win for Best Director at the 1995 Cannes Film Festival and its stunning worldwide acclaim. Mathieu Kassovitz’s account of police brutality is as ferocious a punch in the stomach as it was twenty-five years ago.
It retains every spark of an explosive deconstruction of France’s treatment of minorities and widening social inequality. Driven to fear, […]